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<p style="language:fr;margin-top:0pt;margin-bottom:0pt;text-align:left; direction:ltr;unicode-bidi:embed;vertical-align:baseline;mso-line-break-override: restrictions;punctuation-wrap:simple"><span style="font-size:14.0pt;font-family: Aptos;mso-ascii-font-family:Aptos;mso-fareast-font-family:Calibri;mso-bidi-font-family: Calibri;color:black;mso-color-index:1;language:fr;mso-style-textfill-type:solid; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-color:black; mso-style-textfill-fill-alpha:100.0%">« La sublimation comme le symptôme sont tous deux des concepts indispensables de la psychanalyse. On ne peut pas substituer le </span><span style="font-size:14.0pt;font-family:Aptos; mso-ascii-font-family:Aptos;mso-fareast-font-family:Calibri;mso-bidi-font-family: Calibri;color:black;mso-color-index:1;language:fr;mso-style-textfill-type:solid; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-color:black; mso-style-textfill-fill-alpha:100.0%">sinthome</span><span style="font-size: 14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos;mso-fareast-font-family: Calibri;mso-bidi-font-family:Calibri;color:black;mso-color-index:1;language: fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor:text1; mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%"> lacanien à la sublimation. Il serait toutefois tout aussi erroné de penser que la sublimation serait un processus normal quand le </span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos; mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">sinthome</span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos; mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%"> ne serait qu'une structure pathologique. </span></p><p style="language:fr;margin-top:0pt;margin-bottom:0pt;text-align:left; direction:ltr;unicode-bidi:embed;vertical-align:baseline;mso-line-break-override: restrictions;punctuation-wrap:simple"><span style="font-size:14.0pt;font-family: Aptos;mso-ascii-font-family:Aptos;mso-fareast-font-family:Calibri;mso-bidi-font-family: Calibri;color:black;mso-color-index:1;language:fr;mso-style-textfill-type:solid; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-color:black; mso-style-textfill-fill-alpha:100.0%">L'essai de Freud sur Léonard démontre que la sublimation ne permet pas toujours d'éviter le symptôme ou l'inhibition. Tant la sublimation que le </span><span style="font-size:14.0pt;font-family: Aptos;mso-ascii-font-family:Aptos;mso-fareast-font-family:Calibri;mso-bidi-font-family: Calibri;color:black;mso-color-index:1;language:fr;mso-style-textfill-type:solid; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-color:black; mso-style-textfill-fill-alpha:100.0%">sinthome</span><span style="font-size: 14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos;mso-fareast-font-family: Calibri;mso-bidi-font-family:Calibri;color:black;mso-color-index:1;language: fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor:text1; mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%"> vont au-delà du principe de plaisir. Mais la différence entre eux réside dans le fait que la sublimation aborde le réel avec l'aide du semblant, tandis que le </span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family: Aptos;mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">sinthome</span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos; mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%"> fait déjà partie du réel.<br> Le </span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family: Aptos;mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">sinthome</span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos; mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">, inventé par Lacan, est la preuve de l'urgence de l'art face non seulement au malaise mais aussi au danger dans la civilisation. » </span></p><p style="language:fr;margin-top:0pt;margin-bottom:0pt;text-align:left; direction:ltr;unicode-bidi:embed;vertical-align:baseline;mso-line-break-override: restrictions;punctuation-wrap:simple"><span style="font-size:14.0pt;font-family: Aptos;mso-ascii-font-family:Aptos;mso-fareast-font-family:Calibri;mso-bidi-font-family: Calibri;color:black;mso-color-index:1;language:fr;mso-style-textfill-type:solid; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-color:black; mso-style-textfill-fill-alpha:100.0%">(Franz </span><span style="font-size: 14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos;mso-fareast-font-family: Calibri;mso-bidi-font-family:Calibri;color:black;mso-color-index:1;language: fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor:text1; mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">Kaltenbeck</span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos; mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">, </span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos; mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;language:fr;font-style:italic;mso-style-textfill-type:solid; mso-style-textfill-fill-themecolor:text1;mso-style-textfill-fill-color:black; mso-style-textfill-fill-alpha:100.0%">L'écrit</span><span style="font-size: 14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos;mso-fareast-font-family: Calibri;mso-bidi-font-family:Calibri;color:black;mso-color-index:1;background: white;mso-highlight:white;mso-font-kerning:1.0pt;language:fr;font-style:italic; mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor:text1; mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">ure mélancolique. Kleist, Stifter, Nerval, Foster Wallace</span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos; mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;background:white;mso-highlight:white;mso-font-kerning:1.0pt; language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">, introduit et édité par Geneviève Morel, Point Hors Ligne, </span><span style="font-size:14.0pt;font-family:Aptos;mso-ascii-font-family:Aptos; mso-fareast-font-family:Calibri;mso-bidi-font-family:Calibri;color:black; mso-color-index:1;background:white;mso-highlight:white;mso-font-kerning:1.0pt; language:fr;mso-style-textfill-type:solid;mso-style-textfill-fill-themecolor: text1;mso-style-textfill-fill-color:black;mso-style-textfill-fill-alpha:100.0%">érès</span><span style="font-size:14.0pt;font-family:Aptos;mso-...