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The Ghost Train's two white tubes entangle into a monumental sculpture. A dark mouth affords access to a tunnel coursed through with images that move as if through the windows of a train. The urban landscapes we traverse could have been described by J.G. Ballard. But other images are superposed over these landscapes, as if every image were haunted by the reminiscence of other, more deeply buried ones. This book proposes a journey, a plunge into the heart of images and forms. The physical and visual experience of Charles de Meaux's installation at the Centre Pompidou from Feburaruy 19 to March 10, 2014 comes back to life.