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While Western polyphonic music achieved its pinnacle in the fugue, rhythmic polyphony of great complexity evolved in Cuba. It is particularly the “batá” (drumming music originating in the Afro-Cuban “Santería” cult), the “rumba” and the “son” (ancestor of the famous “salsa”) which have provided me with my inspiration. I employ the quartet in the manner of a drumming ensemble and each individual string corresponds to the sound of a particular drum. The quartet plays on scordatura open strings employing a rich palette of percussive playing techniques recreating the different types of drumming attacks. Thierry Pécou Instrumentation: string quartet