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The tripartite work harks back to musical practice from the pre-Baroque period when wind ensembles performed compact, brief pieces in churches, on town squares and from towers. The three movements Intrada, Choral and Toccatina, combined in a type of suite, adhere to the customary musical principle of fast-slow-fast, thereby producing a highly contrasting musical structure. Instrumentation: 9 brass instruments and timpani op. 103e